The best evidence I can offer
for why I have chosen to do this work is the memoir I published
in the San Francisco Chronicle on my own writing mentor, Roland
Barthes. If you read Deadline, you'll understand why I choose to help writers reach their goals, whether they started years ago or still wait to begin.
Left With The Breeze is an excerpt from The Theory of Sand, my memoir on living in Saudi Arabia.
The Nihilesthete review appeared in the Los Angeles Times.
The Vacant Apartment, The Duck, The Haitian Boy and Flower in a Wall are chapters from my novel, Shipwrecks and Other Drownings.
Listed by genre, the screenplays are included to permit writers to get a sense of my structural and narrative style.
The poems speak for themselves.
|